Tag Archives: tentacles

The Beauty of Studio Galleries

Moose_funny

My good friend, Jordan Miller, just aired her woes regarding running a studio gallery. I want to reply with my two cents.

First off, for the holidays, I doubt if many people buy art, especially in a city like Winnipeg in this economy. People do love looking at art… they love looking, but not just Winnipeg in particular, but the whole world in general. For someone to actually buy art, they often have to be invested in the piece or the artist already. That or they just have money to throw around at that moment. So yeah, either you have a fan or you’re lucky enough to come across someone truly compelled to buy your work.

And really this holiday, galleries and all other shops are competing against Amazon and Walmart when it comes to shopping for presents. When it comes to compelling imagery, they’re competing against the whole Internet and the world’s ADHD culture. It’s an uphill battle, and it’s a small miracle and badge on the artist every time someone buys art.

This is where I think a studio gallery has to utilize the artists it has. I think many new artists are under the assumption that once they’re in a gallery, it’s the gallery owner or curator’s responsibility to shepherd new audiences to them. To some extent, this is true. Being in a gallery brings about art enthusiasts as well as other gallery owners. But in a generally static market like Winnipeg, artists cannot expect their audience to grow if they keep on showing their stuff at the same studio gallery. To grow an audience, each artist in a collective should be introducing their friends to other artists in the collective, and thus, growing their community and their audiences. So let’s say there’s an open house, each artist in a studio gallery should at least try to invite friends to come over and see their works as well as the other artists’. “Studio artists tell me they want new people in, not just the people they know.” True. So each artist should bring the people they know and maybe they’ll buy their neighbor’s work and vice versa.

Another way to solve the “new people in, not just the people they know” dilemma is for gallery owners and artists to be sharing information regarding calls for submissions. I was once a part of an art collective in South Korea, and one thing I liked about the community is that people were sharing information and leads regarding opportunities. The organizer would encourage members to take part in shows. This encourages artists to be more productive and be part of the community. It also gives them more experience and hopefully leads them to a much better portfolio. Artists don’t have to be limited to their local community. It’s what the Internet is for. And with several eyeballs scouring the Internet for opportunities and sharing them, that should make the world of artists in a studio gallery a little bit bigger.

My friend mentioned that some artists make deals with buyers and sell work to them privately instead of going through the gallery and losing a commission. Now, there really is no way to work around this unless galleries start forcing artists to sign exclusivity contracts. But really, I think this comes down to the artists themselves. Personally, I feel grateful if a gallery hung my work and happened to find a buyer for me. That’s one person who may have never run into my work and I owe it to the gallery for making the connection. I believe artists should do the right thing and make sales through galleries rather than wait for their work to come down. Buyers wouldn’t normally care if the artist loses on commission or not. And artists, despite finances and all, should really be willing to support galleries who gave them a chance in the first place.

Now, with the two things considered: artists wondering why my gallery owner friend is not shepherding in new audiences for them and artists making private sales, I would assume this comes to either selfishness (and laziness) in the artists’ part or a fundamental opportunity missed by everyone. Perhaps the economy is bad that artists cannot afford to be generous to galleries in return, or perhaps the artists don’t realize how a small studio gallery in a city like Winnipeg could work for them.

So there you have it. If you’re an artist in a studio gallery, take advantage of your community and share resources and opportunities. Be more proactive, if not in your local arts community, then at least over the Internet. Maybe I’m biased because Jordan, the gallery owner, is my best friend, but don’t leave everything to the gallery owner or curator. There’s only so much they can do to help you.

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Swallow the Moon

SwallowtheMoon

Too busy for thoughts, but not for art. God bless us all.

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Inktober

Typhon

There is such a thing as too much vacation, too much spare time that your mind gets bored and frustrated that you start seeing all the negativity and unhappiness that you usually block from your mind with work. The things that you’ve drown out with bits and pieces of your soul start to resurface again. You start creating small dramas to entertain yourself. Maybe you set small fires here and there just to test the waters and see that you’re still alive. It’s not to be mean or anything, but the mind just needs a bit of stimulus for no other reason that it needs it. Unfortunately, you end up going too far and that small fire has burst into a barn fire, then to a raging conflagration. Then you’re no longer bored but exponentially more miserable and unhappy, and you still have a few vacation days left, a few more days to make things worse.

God bless work. God bless keeping busy.

And speaking of keeping busy, God bless Inktober. I recently saw an NHK video on Hayao Miyazaki struggling to make his last film, ‘Boro the Caterpillar.’ He was obsessing with animating a furry caterpillar using traditional hand-drawn techniques. Though people were constantly pushing to him new computerized ways of streamlining the process, even showing him an AI that would make its own animations, he insisted that CGI removes the human element, and many things that the artist and the audience sees in nature in terms of light, motion, and life itself, are lost in the computerized environment, and totally missing the signature look of what makes Ghibli films what they are. Things got so heated at one point, that he almost saw it as an insult to have AIs animate what amounted to monstrous figures.

In many ways, I agree with Miyazaki. There’s just something about hand-drawn work that makes it more compelling than ones generated with the aid of computers. The viewer can feel the hand of the artist, the effort. We can see with the artist’s eyes and there is evidence to where his attention lingered. Now these can also be true with CGI images, but they’re often crisp to the point that it feels cold and alien. It can easily be mistaken that I am seeing an interesting image made by a computer instead of me seeing an interesting image made in an interesting manner by an artist. An artist. The art in the process is more apparent with hand-drawn works.

This is why, despite me not being active with Inktober, I appreciate that it celebrates and encourages hand-drawn works. It is very tempting to do things via the computer, with drawing tablets getting cheaper and more ubiquitous, and web comics and digital paintings being more popular. But in my opinion, the computer filters out the human touch in creating images. Perhaps it’s the ease in the process of cleaning images up, but it could also be the process of making images on the PC itself.

Coincidentally, the 10th item on the Inktober prompt list is gigantic. This is my interpretation of the Greek giant Typhon.

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The Bechdel Test

Elephant

Take the Bechdel test and apply it to women in real life. You’ll find some women simply do not pass the Bechdel test despite being free from the skewed gender norms in fiction.

Take the test and change men to the person’s significant other, or perhaps their children. Now you have a nice little game waiting for the other person to say, “my wife” or “my kid.”

Keep nodding your head to show you’re paying attention.

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Fidget Spinners and Buddha are Unrelated

Buddha

I just had a long vacation. I didn’t go out of the country but I did go out of town for a bit. I spent most of my vacation working at home. Yes, I have several jobs. So yeah, yay staycations! One good thing is I got back to making art. Yay art!

This work is not really about fidget spinners, but it is there. And while I really don’t have much against fidget spinners (they do serve a purpose for those dealing with ADD), I’m a tad annoyed with their ubiquity. It’s not that I’m railing against trends or shaking my fist on what kids find fascinating these days. After all, my living room looks like an arcade. My wife and I spend a lot of time playing video games together instead of watching movies. It’s just that fidget spinners seem to embody the laziness of current trends.

Take television for example. The most popular shows, at least in South Korea, tend to be reality television. Put a camera crew with some celebrity, have them eat something, call it a show. Forget writing. Look at movies. Take an existing intellectual property and turn it into a movie, forget the hard work of creating something new. And I can go on and on with rehashes and the laziness of all sorts (get off my lawn, you kids!).

And then we have fidget spinners. My wife was surprised at what little it does. Remember when there was skill involved in novelty toys? Things like the yo-yo or a skateboard or even Japanese kendamas. Now you just have things that just spin. No skill whatsoever. Buy it and boom! You’re in the club! Because learning to play something takes too much time. It’s the smartphone + Google combo of toys. Why learn something and retain it in your head, when you have a phone and Internet connection that would make you an instant expert on things? And that is where the fidget spinner fails. You buy it, you play with it for a couple of minutes, then you forget about it. It’s bubble gum. You didn’t get anything out of it other a couple of minutes of distraction. You didn’t even get to challenge your dexterity. It is a forgettable shiny object, just like a lot of things.

Now, I think I’ve wasted way too many words on fidget spinners.

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Oh Manitoba!

Manitoba_Arts_Network

Thank you Manitoba Arts Network for having my works for their 2017-2018 touring exhibition. It’s always nice to have people appreciate my work, that the works I make are not just for me personally, that they could mean something else to some people as well.

 

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Oh Korean Internets!

Assiniboine

As much as I love that Korea has the fastest and most ubiquitous Internet access in the world, it is ironic how so much of Korea is doing the Internet wrong. Let me illustrate that with my past experience with ordering stuff through Amazon to be sent to the country.

First off, for some odd regulation, Amazon cannot send anything to Korea that are not books, DVDs, or CDs. Already, that sours the experience. Then a few years back, it became a new regulation for people to have a Uni-Pass ID to be able to order anything from Amazon. So I went and tried to get a Uni-Pass ID.

First off, in order to get a Uni-Pass ID or certificate, I have to register as a receiver of goods through customs. Now, one would assume that this would be foreigner-friendly and would have English on the custom’s Website. It doesn’t. Everything is in Korean. Not only that, I have to download and install a security software in order to go forward.

Registering my name, address and postal code proved to be a minor challenge. Seoul has recently changed its postal code system as well as its address system. This is something that mystifies even the Korean population as many don’t even know their own address under the current system.

I manage to successfully register at customs, but NO, I still don’t have my Uni-Pass ID. That’s another application I have to go through. One would assume that the only reason a person would register at customs was to get the ID, but I guess that would be too simple and obvious. In any case, I had to download another security program in order apply for my ID. Like the first program, this one didn’t have English, but worse, the Korean text on the menus won’t even show up properly on a machine running English Windows. I had to get help from a coworker who’s familiar with it.

Everything went well, including authenticating my phone and my carrier information, until BAM! It won’t let me get any further. I repeated the process a couple more times and still it won’t let me go further. And then I realized I was using Google Chrome. Korea is still very much wedded to Internet Explorer in 2017, including Active-X, so I had to repeat the process using Internet Explorer and then it finally worked. I got my ID.

Went to Amazon, ordered my books, and hopefully it will arrive soon. Hopefully! Some foreigners report that despite going through the whole process, their packages end up getting stuck at the postal office. When they call and inquire about it, the postal service workers ask them for their alien card number, something which all foreigners have here. Now, if that’s all that they needed, why make people go through the whole Uni-Pass process?! It’s just another system of which they can track my activities which the government already does with my passport and alien card number. What’s the point of all of this?!

The Korean Internet experience is great if you’re not doing any transactions with Korean sites or institutions. If you are, get ready to install a bunch of software you don’t need, do your business using Internet Explorer, and have an hour or two handy. It’s the most ironic situation for a country that’s so hip to the whole Internet.

Oh and if you ever want pornography, use a VPN to access sites. The Korean government has hired Christian watchdog groups to police Internet content, making many sites inaccessible without a VPN. Ironically, this means only members of these Christian watchdog groups ever get to enjoy pornography freely (and an unhealthy amount of it, if that’s what they’ve been tasked to devote their time on).

Update: If you want to modify or distribute modified games, you could face fines of up to $50,000 in South Korea. I guess this is to cut down on massive cheating on online games, which I would argue there are worse problems out there that needs legislators’ attention. If anything, I think this is just to protect the integrity of e-sports and companies profiting off of e-sports, because really, how is anyone supposed to police this? And what kind of legislator sits there and wonders about modifying games? That’s a big leap from stodgy legislators raging over violence in video games.

If I happen to modify an old copy of Super Mario, will that get me fined and how are they supposed to catch me? And what about say those Jamma carts with pre-loaded games? A lot of those have, by definition, unlicensed modified games. Are those technically illegal now? And what about trainer programs that aren’t really designed for online use? Again, pretty dumb Internet in South Korea.

 

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We’re all John B McLemore Sometimes.

1 Goat

S-Town, from the makers of Serial and This American Life, is a glorious podcast. What started out as a crime mystery in a rural town quickly becomes an examination of tortured existence. It was good podcast to listen to after finishing Missing Richard Simmons. Both podcasts deal with examining people who have grown uncomfortable with the lives they lead. Though Richard Simmons claim he’s living well and is comfortable with how his life is, the podcast certainly explored the idea that he’s currently living a life of torture, either as someone who’s held captive, or someone who has grown tired pushing himself to creating a persona that has gone out of control. In any case, it didn’t get as dark as S-Town got. Both podcasts remind me of the Hammerstein line from ‘Ol’ Man River’ – “I’m tired of living, and scared of dying.” We all get tired of living. I can honestly say that I’ve been having more and more days where I am just tired of it all. Not enough to end everything, of course. I’m too much of a coward for that. But at one point on June 22, 2015, John B. McLemore got so tired of life’s slow, mundane misery, that he was no longer scared of dying.

Now, the podcast explored many reasons for John’s depression: his family life, his sexuality, his grief over his dog, his frustrations with his town, his obsessions with global ills, mercury poisoning, etc. It was evident that John was actually surrounded by people who are his friends, not just in his hometown, but throughout the world via the Internet. He is, after all, one of the world’s foremost experts in restoring antique timepieces. But despite not being alone, he believed he was lonely, to which host Brian Reed asks, “Is there really a difference?”

Despite being in a rather ideal situation, having money, a stable relationship, etc., can a person will themselves to depression and keep their joys to a minimum? It would seem this is exactly what John has done. He hated his town, and yet he stayed. He could’ve been more open with his sexuality, and yet he chose circumstances which kept him in the closet. He lashed at people who were genuinely his friends. He became addicted to information on the Internet that was upsetting him. He was constantly giving himself reasons to feel bad, like writing daily notes of self-denial instead of self-affirmation.

I wonder if that’s how things really are. That it can all be boiled down to simple mental exercise. Keep telling yourself that there is a God, and every little event in life would be God’s little miracle in your eyes. Keep telling yourself that you don’t deserve any happiness, and every little event would be proof that you don’t deserve any earthly joy. You are a fuck up, and the world will prove that you are. Why should you be happy when the world is a miserable place and you are miserable yourself. Keep telling yourself you’re lonely despite having good days. For as Brian Reed said, “Is there really a difference?” Perhaps at some point, you’ll get so tired of living, that you will no longer be scared.

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Osaka Again

Goat 4

Off to Osaka this week. I’ve been going to Osaka quite frequently recently. It’s a great city, people are friendly, and most things to do are pretty accessible. If you’re going to do Japan for the first time, I recommend Osaka. Tokyo is way too busy. Most of the interesting places to visit in Tokyo are separated by several subway rides. Tourists would end up spending a great portion of their time on the train. Go to Osaka instead; all the key Japanese things to do are pretty much in the same area.

Speaking of Osaka, I saw a short virtual reality video off of Littlstar, the VR video network. Here’s a tip, if you’re gonna make a video and call it “Passport Osaka,” don’t spend half of it on the tattooed expat. Most of the people visiting Osaka aren’t there to visit a foreigner’s tattoo parlor. And I really wouldn’t call Dotonbori and Amerikamura “best-kept secrets” either. They’re two of the main places where tourists go. Blergh.

 

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South Korea’s Interesting Weekend

Goat 3

I was in the middle of the rallies on the presidential impeachment last Friday and last Saturday. I couldn’t really avoid it last Friday. The pro-Park Geun Hye supporters were marching in front of my building. There were riot police and everything. It wasn’t very violent when I went out for coffee, but three people ended up dying during the protest after it was announced that the decision to impeach the South Korean president would stand.

On Saturday, my wife and I decided to check out the celebration for the ousting of the president. It was in Gwanghwamun, the place where Koreans have been holding their weekly rallies to protest against the president. Like every week, there was going to be a concert, and my favorite Korean singer Jun In Kwon would be performing. I felt more comfortable going to the event, because it wasn’t so much a protest or anything but a celebration for what is a historic event for the peninsula.

What was a little scary however was that we had to pass by the pro-Park Geun Hye supporters on the way to the rally. They were all waving the South Korean flag and old-fashioned patriotic songs were blaring on speakers. The mood was dark, and my wife and I didn’t feel too comfortable walking past them, especially since we’re a biracial couple (despite the fact that many of the protesters were also waving the American flag). It was weird, the site of the Korean flag brought about an almost nefarious aura. The site of riot police and police barricades separating the two factions didn’t help ease the mood either.

The mood on the anti-Park Geun Hye side was celebratory. People were smiling. It felt like being surrounded by people whose collective burden was just recently been released. Of course, there were still angry calls for the former president to move out of the presidential residence and for her to be prosecuted.

On Sunday, most major Korean channels showed the president moving to her private residence. She was welcomed by her supporters, all waving the Korean flag. It was a strange affair. She was greeted by her party members, and she shook hands with them, all smiling, waving at her supporters. If I didn’t know the context or didn’t know Korean, I would’ve assumed she just got elected as president instead of being ousted. What’s more remarkable is that instead of addressing her supporters and the recent decision by the Supreme Court, she had a representative read a prepared statement saying the “the truth will come out.” I don’t know what this is possibly referring to. The highest court in the land already made a decision. If it’s referring to her impending criminal prosecution, she’d best not acknowledge it just yet.

I try to be impartial when it comes to the country’s politics, but the fact that the former president didn’t make a public statement immediately after the decision on Friday was very disappointing. She could’ve at least tried to unite the country and try to calm her protesters down. Perhaps people wouldn’t have died if she did. And the fact that she still hasn’t made a public statement is thumbing her nose at the justice system and not showing her supporters any respect. At least Nixon had the decency to make resignation speech. There have been talks about the country being divided, but truly, South Korea is not divided. Park Geun Hye enjoyed a 5% approval rating, and most of the country wanted her out. If there’s any division, I believe it’s just a division in the type of media people consume, with each side embracing their own set of facts and claiming the other side is fake news. It’s no different than other countries. But what would have helped make the country less divided, is if the former president called for unity after being impeached. At least recognize that the zeal partisan politics and distrust is at least part of what got her ousted.

I believe it’s going to be a long process, prosecuting the former president. There has been months of weekly protests, and I think it won’t take much for people to take to the streets again. It’s almost like a slow but magical form of direct democracy. It could get addictive.

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