Tag Archives: Canadian history

A Twist!

ThomasDArc McGee.jpg

I saw the movie ‘Wind River’ a few days ago.  The movie piqued my curiosity when I saw Jeremy Renner and Elizabeth Olsen starring as leads. I thought it quite unusual to have two actors who are featured in the Marvel Avengers franchise work together in a totally unrelated film. It seemed a tad distracting.

The movie was surprisingly decent. It was a murder mystery, although the mystery was fairly straightforward. And although the film was set in Wyoming, the wilderness and the issues regarding Native Americans echoed those of Canada’s First Nations’, particularly the way the government often has a lackadaisical approach to their problems. The film makers didn’t portray Native Americans as cartoons either. They portrayed them as real people with real concerns. The film’s focus in particular happens to be one that haunts my hometown as well, the victimization and disappearance of Aboriginal women and how authorities and society in general seems to not care about them. The RCMP doesn’t often put too much effort finding missing Aboriginal women despite the number of reports. A more comprehensive report on the violence that Aboriginal women suffer can be found at the RCMP’s own website.  It is silly how there would be days of news coverage for missing women of other ethnicities but most Aboriginal women don’t get much coverage should they ever disappear. So with all of this in mind, I was quite pleased by how the movie seemed to focus on this issue. Although a couple of instances with the male gaze was a tad inappropriate and unnecessary.

The whole thing didn’t play out like a typical theatrical release. It seemed to be more suited to something I would watch on television as opposed to the big screen. The mystery was not that complicated either and there was so big twist in the end, so the story was not that memorable. Or so I thought.

As the credits rolled, there it came in bold letters: Produced by the Weinstein Company.

That was a twist of M. Night Shyamalan proportions. A movie that champions the plight of women, particularly of Native Americans who are often marginalized, bringing them to light much like the #Metoo movement has brought to light abuses not just in Hollywood but in many places in the US and around the world… that movie just happens to be a property of the same monster that victimized countless of women and whose actions inspired the #Metoo movement in the first place.

Bravo ‘Wind River,’ bravo.

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On Making Art

Framed

With my work framed, the illusion of a fake movie leaflet for a fake Japanese animation about Canadian residential schools is complete. A friend of mine is not a big fan of these works. I don’t think she really likes it when I stray away from my traditional drawing styles. It’s hard enough to sell my current work as it is. It’s even harder to sell my works especially if I’m making fake movie posters or action figures.

The problem is what sometimes works in my mind doesn’t really translate into the image. Or I have trouble putting myself into the viewers’ shoes, especially since there’s often a lot of context I’m putting into the work which viewers may not particularly know nor care about. Let’s look at this work in particular.

The work is titled “Residential School,” but the idea of a residential school is way too subtle. There’s an obvious reference to religious boarding schools, but it would be rare to find someone who would assume that the girl in the center is an Aboriginal. The work is one from a series of posters inspired by Canadian history. I resent that not much of Canadian history is known outside of Canada, especially when a lot of our neighbors’ histories (particularly our neighbor in the south) is told in books, movies, and are part of the global consciousness. I think the horrors of residential schools and the silent genocide of Aboriginal communities should be told just as much as the plight of the slaves or the persecution of the Jewish people. But then again, borrowing imagery from Ghibli Studios might be a bit too tongue-in-cheek and not many people might see it nor appreciate it when/if they do.

Also, I’m not sure if there are many people who like Japanese animation, are appreciative of Canadian history, and are willing to pay good money for fake leaflets that cater to both.

My Japanese is non-existent. My wife speaks Japanese and she’s confused by Japanese I use in the image. They translate in the most basic Google-translate sort of way, but I don’t really mind. The characters make for an interesting visual. The Japanese names don’t mean much either.

“Himax” and “Colby Digital” are rip-offs of “Imax” and “Dolby Digital.” But I doubt if anyone would notice that. “Blamco” is a fake company name I once used for a line of toys I made. Again, no one would know this.  “Taken” is a reference to the Liam Neeson movie. Children were very much kidnapped by the Canadian government.

In any case, these decisions were made for my own benefit and not with the audience in mind. The use of the name “Taken,” a small part of the credits, is for my own amusement, not to provide more insight to the viewer. This method of making art doesn’t normally produce compelling, saleable artwork, but if the purpose of the work is get over my depression, to just be active, or to just make images to amuse myself, I think it’s a job well done. Make art! Make art because it makes you happy or because you simply need to. Making art in order to sell them fine, but really, it should be the least of your motivations.

With that in mind, it’s great to see my work framed. Framed to ultimately end up hung on my own wall years from now.

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