Tag Archives: Anishnaabe

Art Forgery Drama

Good Beef

There is an interesting documentary on the works of the late Norval Morrisseau, ‘There Are No Fakes’. Morrisseau started the Woodland style of painting, using imagery from First Nations cultures showing the insides of creatures in a sort of x-ray effect.  His works are far more colorful and playful compared to the more traditional images in Inuit and West Coast art.

Unfortunately, many of his works have been forged, and a lot of what is passing off as original Morrisseaus could potentially be fakes made by an art forgery ring. I’m not sure if the documentary will show anything past what has already been detailed when I first learned about the Morrisseau forgery in Maclean’s last year, but what interested me was the very title of the film, ‘There Are No Fakes.’

Is it because somehow Morrisseau’s family was connected to the forgeries? Or is it because the forgeries themselves, just by the very fact that they are connected to the drama of Morrisseau and his legacy make them valuable on their own? Or does the documentary basically say that if you love an image and that you find it beautiful, you shouldn’t really care about its authenticity or its monetary valuable. That art is art. They are not objects to be traded or treated as real estate investments. They are far bigger than that. (I sincerely doubt that this is where the film will go.)

The leader of the forgery ring, Gary Lamont, was sentenced to jail back in 2016 for being a sexual predator. I’m not sure if many of the news media at the time mentioned his involvement with producing forged Morrisseaus, but according to one of the victims, the forged pieces represent a very abusive period. Gary Lamont would manipulate and abuse young men while the works were being produced, between 1993-2007, when there was increased demand for Morrisseaus and when the artist’s health was slowly declining.

I’m sure there are still more to this story, right now galleries and owners are still insisting on the authenticity of many works, but I do hope that the worst is over, and at the very least, no one is producing more forged works. Growing up in Manitoba, I remember seeing some of Morrisseau’s works and even more works inspired by him. After learning about the forgeries last year, I’m not even sure if I’ve ever seen a real Morrisseau.

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Monday Mood

arms

In a perfect world, I would be making art all the time, and that real world concerns wouldn’t keep me from doing whatever I want to do. But I guess that’s the same as any pursuit. I just feel awful sometimes when I think that my art alone does not put food on the table. Sad but true. Artists, even geniuses whose art talents don’t even compare to mine have to keep working nine-to-five regular jobs and put their art on the side.

For the past year, I’ve been reading a lot about First Nations and Anishnaabe culture. I used to dismiss Aboriginal art, thinking it’s the same themes and images over and over again. It hasn’t evolved and is not interesting. After studying a bit, I’m glad to say that I get it now. I was wrong. I was so wrong. Although the forms and style can be redundant, there is truly something deeper there, and that maintaining the same style and not “evolving” is the point.

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