Despite the new surge of covid cases around the world, it’s a great time for art lovers in Seoul, and thankfully, I’m not talking about NFTs.
First off, there’s a great exhibition of around 200 pieces by Matisse on display. I remember spending a month studying his works in art history and finally seeing them in Minneapolis and Chicago. ‘La Danse’ is a favorite and I’ve seen it influence many artists. I even tried to do a poor version of it myself. Despite being a giant in the arts, I always feel like he’s unjustly overshadowed by Picasso and other artists. Maybe it’s just my imagination, but I think everyone has seen a work by Matisse but only a few could name him as the artist.
Dali’s works are also being exhibited and I’ve seen his advertisements for his exhibitions everywhere. Maybe his famous looks are more famous than his works because they’ve been using his face with that ridiculous mustache to in the posters, which I guess is as he intended. He kinda became just as a famous as a celebrity as much as his art (a celebrity Picasso hated due to Dali’s support of Francisco Franco, the Spanish dictator). His ridiculous imagery has inspired me through the years, and as someone who makes Dada-esque imagery, I can’t help but admire him. However, I kinda resented his celebrity persona and being one of the early “zany” artists. I think ever since him, many artists try too hard to look, dress, and act funny. Can’t we all just be normal? Just as trying to fit in can be tiring, being unconventional can be stressful as well.
Speaking of celebrity artists, Andy Warhol’s works are also on display, but I feel like his works are always on display in the city. Him, Picasso, and Klimt.
Lichtenstein’s works can also be seen in the city and is probably the one I’m most exited about. I’ve seen his works before, but apparently they’re showing a significantly large collection of his works. Seeing the blown up comic book pages in person is so much more impactful than just seeing it on screen. Another artist with a large number of works being shown is Chagall, but honestly, I don’t know much about Chagall. I find it interesting that on of the impressionist’s works (‘Over the Town’) just happens to look like the poster for a movie I’ve been hunting down and wanting to see, Roy Andersson’s ‘About Endlessness.’
Oh and speaking of Dadaism, a bunch of Surrealist works are on display at the Seoul Art Museum for three more months. It features works by Duchamp, Man Ray, Magritte, and other artists.
Anyway, it’s a good time to look at art once the covid situation calms down and I get boosted. I’m already scheduled for a shot in a couple of weeks and it seems that the recent covid surge in Seoul is finally starting to get under control, especially since tighter protocols have been reinstated.
First off, covid has gone up, gone down, and gone up again in South Korea. I got my two jabs and will be ready for my booster next month. Despite the high numbers, I managed to not catch the virus. The tracing and tracking in the country as well as the treatment has been good, so the death rate has been quite low and the numbers are believable. The country also has a vaccine pass rule everywhere, and no, it’s not tyrannical. If anything, it’s liberating to know that everyone in the establishment I go to has been vaccinated and that I will be warned if anyone got covid anywhere I went to.
This year, I started regularly seeing a therapist and have been religious with my drugs. It’s helping and I do look forward to each of our sessions. I feel like I have too much control over our sessions sometimes, but I’m glad that he’s helped with my anxiety, depression, and addictive personality. I had a public nervous breakdown last summer while I was arguing with my wife, and I vowed not to revisit that bar again nor put myself in similar situations. It’s just too triggering.
I also started to study more Korean by myself. It’s difficult, but going to class has been impossible. I miss meeting people and making friends in class, but I guess that’s part of being older. Making friends is difficult.
I haven’t gone to the gym for two years now. I miss it. I try to work out more at home and climb stairs more, but it doesn’t compare going to the gym. But it doesn’t matter really. It’s not like I’m going to the beach anytime soon. I’ve eaten way too much Burger King this year. My favorite Subway Sandwich place has closed down, and now due to laziness and me often eating lunch at my dek, I just grab a burger from the Burger King next door. In other food news, my new favorite place for dining is this Japanese lamb place in Yeonnam-dong. Good food, good price, great Japanese ambiance, friendly staff, decent sake. One of the servers is a kickass tattoo artist as well.
I used to not be a driver, but this year I became a motorist. I can’t travel outside of the country so I might as well travel outside of the city. I got a car, it’s an Audi A4. It’s already in need of some body work, not my fault, but I’m going to ignore it for now. I think it adds some character, plus, I can sense that it won’t be the first scratch my car is going to get in the next few months. In a country filled with Hyundai Avantes, it’s a bit slicker than the average 4-door sedan. But in the words of Marv from Sin City, “Modern cars- they all look like electric shavers.”
I didn’t travel outside of the country but I did go outside of Seoul and had the worst sashimi ever. Never eat machine-sliced sashimi. Aside from a lack of TLC, it’s simply disgusting.
Artwise, I’ve been consistently producing works. It’s therapeutic and very calming. It’s been very difficult to get my work shown and I imagine it’s going to be the same next year. I didn’t apply to too many shows this year, which was disappointing, but it doesn’t make much financial sense to me to send my work overseas with the way covid has devastated postal services and made sending works exorbitantly expensive if not impossible. Sales have been dismal as well, but that’s the same throughout my art career. I don’t really care much about sales. I did publish a second book last February, a plan from 2020 which I actually followed through on. Now, I’m contemplating publishing another book next year. And no, I’m not making nor buying any NFTs. The only people who are saying NFTs are good are usually ones who are already invested and shilling NFTs. It’s rare to find NFTs actually uplifting artists. And even funnier, I found a post asking, “What is a good way to print or display NFTs on a wall?” Haha!
Unfortunately, I’ve stopped gardening. I moved to a new office and I no longer have the space to cultivate plants. I’m glad to have maintained it for a while and even given out several seedlings to people. I’m hoping at least half of them are still alive. Oh, and I also learned that cherry pits are not toxic. Not two cherry pits, not thirty, not sixty. They are simply not toxic.
Family’s been okay, but I haven’t been seeing eye to eye with my dad this year. I haven’t called that often and when I do, he often frustrates me. I really should try harder, but I keep thinking why? Why do his children have to try harder to get along better with him? Why is the effort seemingly always from our side? What about him? I don’t see him making things better for himself? This is the year I gave up caring too much.
It’s late but I think the ‘The French Dispatch’ is the best movie I’ve seen this year. Wes Anderson is a treasure. I’m still upset that my bestfriend back in the 90s couldn’t appreciate the genius of ‘Rushmore.’ Other movies I enjoyed; I was surprised with Nicolas Cage’s ‘Pig’ and delighted by “The White Tiger.” I couldn’t think of anything too remarkable on television. I’ve see quite a few Korean dramas but nothing stands out. Everyone was raving about ‘Squid Game,’ but frankly, I didn’t think it was that special. Videogame-wise, I enjoyed ‘Persona 5 Strikers’ and ‘Resident Evil: Village’ the most. Otherwise, I haven’t played too many video games this year. Also, I’ve yet to get a PS5. I wish I could read more books, but most of the books I’ve been reading are Korean learning books. No fiction this year. I’ve fallen behind on Chuck Palahniuk. Music, I’ve given up on anything new. I’ve been listening to a lot of Sparklehorse and Vic Chestnutt, which I realize is not really the best for my mental well-being.
There’s been a couple of close calls, but I almost died twice this year. Each day, I’m grateful that I’m still breathing air. Tired of living, but grateful that I am. Dying is scary. Here’s to 2022, which I suspect is going to be exactly like 2020. I’ll be moving houses, renewing my contract at work, trying to get into a Speedo before summer, get into more art shows, and hopefully improve my relationships. God help me.
I finally saw the latest James Bond film and the last of the Daniel Craig movies for the franchise. I normally don’t post movie reviews here, but there’s nothing much art-related stuff I could talk about at the moment and I have a three-hour lecture tonight which is making me nervous, so I thought I would do some writing to calm me down, just some random thoughts about the franchise and the latest film.
A few years ago, I decided to watch all of the Bond films in chronological order. I’ve seen it go from semi-serious, to campy, to more grounded, back to campy, and then back to the grounded semi-seriousness of the Craig films. I gotta say, Daniel Craig is my favorite Bond. Purists will always give the title to Sean Connery, but I can’t help but see him from millennial’s perspective, the casual misogyny and perhaps even downright rapiness is hard for me to get over with. Others enjoy Pierce Brosnan’s turn as Bond, but I never really enjoyed the franchise during that era. I found Brosnan a bit too cheesy and the writing of the movies too silly. Also, before he became 007, he didn’t realize that his wife’s ex-husband was disguised as their elderly nanny. You gotta be sharper than that, James!
The latest film was good. It didn’t really feel that long as things kept on moving. In fact, it kept moving so fast that the main villain’s motives barely registered. He was out for revenge? But once he got his revenge, why did he want to kill so many people? What’s going on? It’s sad to say, but the main villain is actually the weakest part of the movie for me. He just wasn’t that interesting. And for Spectre to be built up as this massive organization overshadowing so many evil plots across the movies… for it to be undone by a boring villain that seem to come out of nowhere, is really unsatisfying. Javier Bardem’s Raoul Silva was a great villain in the Craig films and wasn’t really matched by Christoph Waltz’s Blofeld. Then it was followed by Mr. Robot. I now appreciate Christoph Waltz’s performance (and ‘Spectre’s’ writing) much more.
Lea Seydoux was great as Madeleine Swann, but I actually found her quite forgetable in the film prior, so I was surprised to see her back in this film. If anything, what stole the movie was Ana De Armas’ performance and action sequence in Cuba. The first time I saw her was in a regretable Eli Roth film and I didn’t really get her appeal even after I saw her a couple more times in ‘Knives Out’ and ‘Blade Runner 2049.’ In ‘No Time to Die,’ I finally got it. Consider me a fan. I thought having a black female 007 was a smart little wink as well. It would be interesting to see more adventures of Lashana Lynch as a secret agent, but I think it was all just a cinematic coño to the obnoxious man-o-sphere who insists that 007 should never be black nor female.
It was not the best film among Craig’s Bond turn but it was a good enough ending. It had great sequences, the score was great as usual, and it left me wondering and excited at who the next 007 will be. It was a very utilitarian movie and it served its purpose, much like Craig’s Bond has been described as a “blunt instrument.” I think the best Craig film would either be ‘Casino Royale’ or ‘Skyfall.’ So for the uninitiated, go watch the first Craig film instead. But for those who enjoy the series, this movie should be fun.
For the longest time, I never really cared for the James Bond franchise and thought it was a relic of a power fantasy meant to be enjoyed by dads and uncles. Maybe that’s still true since I didn’t really truly enjoy it until I was in my mid twenties. These days, I see it more as my “Fast and the Furious”… my Marvel Cinematic Universe film, my super hero film on steroids. As much as I enjoy spy thrillers, like 2019’s ‘The Spy’ starring Sacha Baron Cohen (surprisingly!), it’s always good to see a fantastical secret agent do his mission with so much finesse and with a catchy blaring orchestral melody.
Oh and as for best theme. I love the original ‘Dr. No’ theme and it’s many reincarnations. I also think “Goldfinger” is great. But truly, the best and sexiest song ever written is “Nobody Does it Better.”
I finally got my second vaccine shot. I haven’t experienced any side effects, so I guess I’m lucky. I got the shot in the middle of the day then went straight back to work. Later, I started feeling a mild numb pain in my arm, but it’s nothing too serious. I’m glad I got more protection and there’ll be less chance of me spreading covid to other people.
I posted about this on Instagram and just as I expected, it flushed out a number of anti-vaxxers who happen to be following me. “You are never fully vaxxed.” “You will keep needing boosters and it will never end.” “Complying with authoritarians will not end tyranny.” Later, they unfollow me. I kinda expected this kind of political craziness on Facebook or Twitter, not on Instagram. I post nothing but art. They also ignore that I’m a Canadian living in Korea. Both countries have extremely high vaccination rates. Koreans are very diligent regarding mask use. Neither countries have death rates that compare to the numbers that the US has. But oh well, I don’t need anti-vaxxer crazy people following me.
Koreans will adopt a “with Covid” strategy starting next month. The country will be dealing with Covid-19 as a fact of daily life and just live with caution instead of trying to eradicate it from the country. Bars and restaurants will open longer and seat more people. Masks will no longer be mandatory outdoors. Gyms and other businesses will be allowed to operate. All of these changes are due to the rapid vaccination of the population. Over 70% of the population are now vaccinated, with younger people being allowed to be vaccinated as well. I worry that Korea will have the same fate as England with its cases rising after adopting a “with Covid” strategy and easing restrictions, but I don’t think Koreans will be so quick to ditch mask-wearing in public. They were very eager to wear masks and practice strict safety measures well before they became mandatory. I suppose part of it is because of their Confucian community-oriented culture as opposed to the western individualist approach to things. No one is complaining about constrained freedom or tyrants around here.
Anyway, I’m quite excited. It’ll be nice to finally be able to go back to the gym. I think I’m amazingly lucky though not to have caught the virus at all. Here’s to continuing to be lucky.
Been reading about Morris Blanchard, who goes by the Ojibway name Onagottay. He’s a Canadian artist who claims to be Anishinaabe and a survivor of the Sixties Scoop. For the uninitiated, Anishinaabe is a group representing indigenous populations of North America which include the Ojibway, Cree, Algonquin, etc. The Sixties Scoop was an initiative of the Canadian government of taking Indigenous children and assigning them white foster parents in order to integrate them into white society, remove Indigenous influence, and weaken the claims of land rights of indigenous communities in the future.
Unfortunately, despite being a celebrated First Nations artist and an “elder” teaching Ojibway in a local language program, it would appear that Blanchard is totally Caucasian. His brother and his ex-wife both claim that his autobiography of surviving the Sixties Scoop and living in the bush is all fiction. His brother says that their ancestry is Norweigan, English, and French. Now, like many Canadians, there’s a likelihood that there might be some First Nations in his bloodline, but not to the extent that Blanchard has carved and sold his persona.
Now, one can admire his visual works absent his misrepresentations, but it’s offensive to think that this artist has primarily used a First Nations story to make a career of himself, even being employed by Queen’s University teaching Indigenous language and culture. It’s one thing to steal and disrespect First Nations by misappropriating their culture, which I still think is oddly called “cultural appropriation.” But it’s another thing to steal the suffering minorities and claim it as your own. I find it more offensive than a thousand people wearing an Indian headdress as a fashion statement. He is actively stealing the history, suffering, and wisdom from other survivors.
He makes interesting visual works. Let him do that. I am fully on board with admiring works of art absent the vile character of the artist. That’s why I can still look at works of Paul Gauguin or occasionally watch a Woody Allen film. Blanchard can be just like Kirby Sattler, an artist who paints inaccurate realistic portraits of Native Americans. But just like Kirby Sattler, he must own up to his own history and say that he is an outsider admiring the beauty and culture of the First Nations, not claim to be First Nations himself.
I remember back in university. One of my first friends was First Nations. We hung out and met a local elder who was very friendly with us. He even invited me to a sweat lodge. I didn’t realize in the beginning that he mistook me for being First Nations as well, probably due to my complexion. I had to sheepishly admit that I wasn’t First Nations when he asked me what tribe I was from. Graciously, he still maintained that I’m welcome to the sweat lodge and visit his community.
Apparently, Blanchard would’ve gone along with the mistake and happily passed as First Nations throughout his university life.
Residents in a Vancouver town have filed a petition to not allow a sculpture to be installed on the South False Creek Seawall in Vancouver. The sculpture is part of the annual Vancouver International Sculpture Biennale and was created by Chinese artist Chen Wenling. He is a world-renowned neorealist whose often grotesque but otherwise very visually arresting works have been exhibited all and one is even installed in Vancouver. ‘Proud Youth’ has become somewhat of a popular landmark near where the proposed ‘Boy Holding a Shark’ is to be installed. Actually, both pieces remind me of another installation, ‘A-maze-ing Laughter’ which I initially thought was a work of the same artist. ‘A-maze-ing Laughter,’ prior to being installed was also subjected to protests, but later became a popular feature in Vancouver’s artistic landscape.
So why do people oppose ‘Boy Holding a Shark?’ Apparently, the grotesque look of the sculpture, which is a call to environmental protection, would harm the natural beauty of the local scenery. More importantly, it could potentially hurt the value of the property around the areas. Personally, I don’t find the look of the sculpture particularly offensive. Looking at art is subjective and this is entirely my speculation, but I believe people who oppose the installation are not the gallery-viewing crowd to begin with. Also, a sculpture belongs in the natural Canadian landscape as much as rows of condos and boats. The opposition due to the look of the piece or how it harms the beauty of the environment just rings a little hollow to me. As for the argument that it would hurt property values, as a millennial living in Seoul who has given up owning a home and can’t even dream of being able to afford a waterfront property in Vancouver, I couldn’t care less about that concern. It seems like rich, white people problems.
Some argue that Canadians should be spending more tax dollars promoting and uplifting Canadian artists. However, the Biennale is a non-profit organization and does not involve the government at all. Canadian taxpayers are not on the hook for the piece. If anything, I tend to be critical of how the Canadian government be it, federal or provincial, chooses public art. I find a lot of public art, especially in my hometown Winnipeg, very uninspired. Just look up ‘Agassiz Ice.’ I’ve written about if before, but it’s a sculpture of glaciers. Glaciers! In a town that has tons of snow and ice for half the year and even has ice and snow sculpture events annually. Described as “monumental,” there is nothing monumental about the three pieces of aluminum. One of the three glaciers is literally three feet tall.
Granted, the tendency for governments and other organizations to choose uninspired corporate art to dot the landscape is not unique to Canada. Seoul has a law which mandates the installation of sculptures to be installed near large buildings. Unfortunately, the choice of works and the fear of offending people and hurting property value has resulted in Seoul being filled with what some has described as “stupid statues.” I’m not saying many of the works in Canada or Seoul are awful, many are in fact brilliant and I applaud them being in the public space, but more often than not, they are meaningless metal features that people simply ignore.
So yeah, God bless organizations like the Biennale for being more adventurous in their selection. Hopefully the city goes ahead with erecting that statue.
It’s really time for the Olympics to get cancelled. It’s time. We all can see the Olympics for what they are. They are a company interested in their own profits. They’re not about sports, camaraderie, or triumph over adversity. The sports and the athletes are just a secondary concern. What the IOC values more is licensing, advertising, and broadcasting the games.
The games have been slowly showing its hand in the past few Olympic games. A couple of years after the games were held in Beijing, people noted the abandoned structures that were hastily built for the games. Then people started questioning whether it truly is worth it to host the Olympics, especially when the money used for infrastructure could be used for so many other things. This was especially true when the Olympics were held in Rio. Last year, the Olympic park was closed due to safety concerns. Hosting the Olympics means spending money on infrastructure that would never be recovered, infrastructure that has a high probability of not being maintained after the games. But yeah, the countries/cities are losing money, but someone is getting rich out of all of the construction and other Olympics-related logistics.
As for the sport, Sochi Olympics has demonstrated that widespread cheating can occur with very little consequences to the athletes. After Russia was caught having a national doping program, they barely suffered any consequences for it, and many of their athletes were later allowed to compete under no flags. Pointless.
And now Tokyo, despite rising coronavirus cases, insists that the city will continue to host the games as scheduled. There will be no spectators, and athletes will not be required to get the vaccine, but will however be required to sign a waiver that they risk illness and death by competing in the city. Why is the UN allowing this? This is akin to South Korea’s old law of revoking foreigner’s visas should they learn they are HIV positive. What if they caught the virus in South Korea? (Instead of having brought the virus into the country) Isn’t that not their fault fully but also the fault of the environment they are in? The UN saw it as discrimination as well as a backwards policy that unfairly treats visitors to the country. In Japan, what if the athletes catch covid in the country and dies? Doesn’t the country or the IOC have any responsibility for it? Doesn’t this shift the blame for catching diseases fully on the visitors and not the country the same way South Korea did before with HIV?
Inviting a host of people from countries all over the world could potentially turn Tokyo into a hotbed for the pandemic and naturally, many of the people in Tokyo are against it. Around 80% of people in a recent survey wanted to have the games cancelled altogether. So the games aren’t really for the benefit of the city either. They don’t want to risk dying from covid should the worst happen as a result of thousands of athletes visiting. Even a group of Japanese medical professionals want the game cancelled. Japanese cities are not doing well with infections and vaccinations. As much as some people are saying that Tokyo has handled the pandemic well. They truly haven’t. They came into the pandemic with so much hubris, even allowing people to go out cherry blossom viewing in spring 2020. And now Americans are officially warning people not to visit the country for the Olympics.
As much as I love Japan, I can’t stand the conservative Japanese government. The Olympics has a policy of not allowing politics to be part of the games, and yet recently, Tokyo has been using a map that shows Dokdo, a Korean island, as part of Japanese territory. This revisionist claim is just par for the course for the Japanese government in the past couple of years. They have denied wartime atrocities and downplayed claims of sexual exploitation. South Koreans are understandably unhappy about the recent Dokdo fiasco and many are pushing to boycott the Olympics altogether.
I believe this push to have the Olympics in Tokyo this summer no matter what is simply companies trying to make good on their investments. I’m sure contractors and other beneficiaries to the Olympics, be it the Japanese government side, the corporate side, or the IOC, who were disappointed last year are still hoping that they can make money off of the event. And it truly doesn’t matter whether the events have people watching them on the ground. What truly matters is how many people will be watching the games on television and online. As for me, I think I’ll be watching better shows on Netflix instead. I can just read about whoever won whatever event on Twitter or Reddit.
It’s occupied everything for the past couple of days, so here are my thoughts on the US elections. I would like to say that I overestimated the supposed blue wave, but now it’s apparent that what I overestimated is the sense of decency of Americans.
Voting in 2016, one could be forgiven to not know what kind of president Trump really would be. Aside from the sex scandals and racism against Mexicans, one could still be hopeful that the Donald Trump campaigning would be different once he’s in the Oval Office. But after four years, there’s been a Muslim ban, he’s attacked every minority, alienated his allies, coddled dictators, wrecked the economy, gave over a trillion dollars to the richest people on the planet, allowed Puerto Rico to drown and California to burn, tolerated Nazis, encouraged violence against black people, gassed people for a photo shoot, suggested that Biden would be assassinated five days if elected, asked for the imprisonment of his political opponents, attacked veterans, turned the US military into mercenaries for hire, allowed the death of hundreds of thousands of Americans from a preventable pandemic… I could go on and on. But after all of these, the election is still too close to call. It’s not a landslide. A significant chunk of Americans are fine with the bigotry, ignorance, and incompetence. Trump is not a hiccup. He is the rotten soul of half of the country.
Koreans managed to impeach and imprison their president for corruption while she was in office. They collectively decided they’re not okay with it. Americans saw Trump and half of them asked, “Can I have some more, please?”
When Obama was elected, many people in the country celebrated it like it was a collective good deed. Finally, America was on its way to going beyond the sins of slavery. But really, maybe Obama was the hiccup. Maybe Trump and the people that allow Trump to be as vile as he is as long as they get what they want… maybe they’re the norm. I mean, looking back at my expected landslide, Trump and his cronies were coming in to the election deeply unpopular. They have revealed themselves to be craven, hypocrites, and extremely inept. Fortunately for them, Democrats are also craven and extremely inept. God help Biden, but his policies make him equivalent to a Republican from the 80s. The Democrats are so protective of their own self interests and serving their donors that they went with the most milk toast candidates in the elections. They lost a couple of seats in the House and won’t be able to take the majority in the Senate. This was after Mitch McConnell and Lindsey Graham were at their most vile! Only the loser Democrats could find a way to lose this much to the most unpopular group of politicians I have ever seen in my lifetime. Pelosi and Schumer should be run out of town.
And speaking of Pelosi. Where are those “arrows in her quiver” that she mentioned regarding preventing Amy Coney Barrett from being confirmed? Horrible.
Many Democrats are just as inept. For as many times Trump had suggested that Biden was hiding in a basement, the person who was hiding in a basement the whole time was Barrack Obama. He didn’t really go out and campaign for his former vice president until less than two weeks before the election. Wasn’t he upset about what’s happening in the country or in the world? Why can’t he attack the man whose making a mockery of his old job and killing Americans in the process. Democrats play this rule about being civil when Republicans spit on their face and call them suckers for unnecessarily crippling themselves. They really love shooting themselves in the foot.
Kamala Harris was nowhere to be found as well. Remeber when John McCain ran for president and Sarah Palin was virtually ubiquitous? She was on TV, she was on Saturday Night Live, she was selling herself just as much as she was selling John McCain. After all, she was going to be a heartbeat away from the highest office in the land. Where was Kamala Harris? Why couldn’t she have been out there just as much as Palin was for McCain? Why are Democrats so bad at politics?
So what do I think will happen? Well, I believe as I believed back in Tuesday, Biden will still win this election. As I’m writing this, Nevada, Pennsylvania, and Georgia are trending towards him. But really, if Biden wins, he is really inheriting a consolation prize. Half of the country revealed themselves to be fine with bigotry and chaos, and they don’t want him to be president. And already, Mitch McConnell is pledging to block everything Biden would do, starting with his cabinet picks. Biden will win, but without a Senate, the country will be effectively run by Mitch McConnell. The Democrats won’t be able to get much done in the first two years, they will get blamed for it as well as for not being able to fix the many things that the Trump administration broke, and they will suffer politically for it come the next election. It would be like, “you think George Bush was bad? Wait til you see Trump!” Next time, it would be, “you thin Trump was bad? Wait til you see, I don’t know, President Tucker Carlson.”
So yeah, this week, the lesson is if you’re not a straight white man, America hates you and doesn’t care about you. Forget the movies and television shows. The country is not as progressive as that. Go into any room, and there’s a fifty percent chance that the stranger you just met will have a problem with you. Heck, even when the other person is the same demographic as you, they probably don’t care about you. Just look at all of the white women who don’t care about other white women. Which reminds me of my sister asking me why Cubans overwhelmingly vote conservative despite the fact that the Trump administration has consistently attacked Hispanics. It’s because many Cubans don’t think they’re the same as Mexicans. Many Koreans don’t think they’re the same as Chinese. They don’t realize that to the untrained eye, a brown person is a brown person, an Asian is an Asian. They got theirs, so why bother with others. I mean, I know Filipinos who don’t mind the racism against Mexicans, and I’m like, “Dude, you look Mexican!”
And yeah, to hell with reality TV as well. I’ve hated them for years now, even the ones here in Korea, but now I hate them even more. Trump is the product of Mark Burnett, the man who made Survivor and the Apprentice. He popularized the notion that the fakeness on TV shows is real. He rescued Trump from abject ruin and who now pushes the notion that the news is fake or at least anything that goes against my personal beliefs is fake. Don’t watch reality TV. Heck, don’t support Youtubers or any video influencers as well. With enough clout, celebrities get it into their heads that they should be running things. Look at Kanye West. Look at Sargon of Akkad, and look at Donald Trump. Leave politics to those who actually care about politics, people who have put in the time in their communities and have skin in the game.
There’s still a lot of ballots to be counted. Biden might win this election, but the nightmare is far from over. The only cold comfort would be Trump not running things in the Oval Office anymore. It is highly unlikely that the Democrats would ever go after him or his cronies for any crime when they are no longer in power, so don’t get your hopes up. Trump will never spend a day in prison. If anything, he will probably continue to command his Jim Jones cult when he’s no longer in power. This same cult would be the same group of people voting for the likes of Mitch McConnell, so Trump and his ilk would still have a significant amount of power even when out of office. This is why I was hoping for a landslide coming in to these elections. The nightmare will still continue. If you’re in America, your neighbor is horrible. If you’re in Canada, despite Biden winning, America is horrible. The nightmare is the norm.
Or I could be wrong. And Trump wins the elections.
I was done worrying about the coronavirus. I was done. Dammit, this thing has been on my radar since January, and I was done. Granted, I haven’t really been too worried about it until there was a resurgence in South Korea after Valentine’s Day, but the fact that my office is still responding to calls from customers, re-scheduling, informing them about the virus, has got me tired. I’m tired of worrying about my health, about people’s health, about my job, about other people’s jobs. This constant atmosphere of high alert, it’s stressful. It’s like we’re witnessing another global historic event that will affect the way we do things, much like Sept. 11, except this one is dragging along through the year.
Last Friday, I went out with some friends. I think because of the sudden drop in temperature, I got a bit of a cold over the weekend, but I’m almost over it. I usually get really bad colds about twice or three times a year, but this one wasn’t too bad. Still, it didn’t stop me from being overly anxious about it. “Do I have it? Is this it? If Tom Hanks has it, then maybe I have it, too! After all, cases of infection have been documented around the neighborhood I work in. Am I endangering everyone right now? Am I going to be Internet famous as the Canadian guy who got everyone in his office sick?”
Korea’s doing well right now. It’s not quite like Singapore, but it appears that the government has got the whole thing under control. The infection rate has gone way down, and more people are recovering from the disease in comparison. People everywhere are still wearing masks, and we are constantly getting updates on television and online regarding the disease.
The problem is now that Korea and China are on their way to out of the coronavirus hole, the rest of the world is just experiencing the brunt of the disease. Looking at the numbers, Spain and Italy have gone past Korea in terms of infections. Germany, France, and the US appear to be catching up within a week’s time. These countries didn’t take the virus seriously. Just a couple of days ago, people were out celebrating St. Patrick’s Day, crowding bars and restaurants, despite news of the pandemic being ubiquitous.
Quite frankly, I think the reason why the rest of the world didn’t take it seriously for so long is because the initial victims were Asians. I suspect western countries saw it as a foreign matter. “It couldn’t happen here!” When WHO declared the coronavirus a global health emergency in January, they explicitly said it was not because of the tremendous number of infected people in China at the time but the few numbers of infected people in other countries. When the disease exploded in Iran, I don’t think people took that too seriously as well. The world has gotten too used to seeing dead Muslims. The WHO didn’t declare the disease a pandemic until the number of infected Europeans starting rising dramatically. That was March 11. Korea was already in the middle of getting the virus under control.
I think Japan is in denial as well regarding their strategy of suppressing their infection numbers by not testing as many people as they should. “It’s not a Japan problem. It’s a problem with other countries.” I realize it has a lot to do with politics as well as trying to keep the Olympics. But even if Japan looks good on paper regarding their infection rates, the rest of the world won’t be able to participate in the Olympics if they are dealing with the coronavirus come July. Just cancel the Olympics already!
So if Korea’s starting to look fine and the rest of world isn’t, why am I stressing about it? I’ll be okay, right? Well, not really. I have friends and family overseas. Aside from that, I worry personally about the economy. People are already predicting a recession in the US, and I can only imagine how that would affect the rest of the world. How would that affect the company I work for? Fear of the disease and self-isolation has already affected many of the industries here in Korea, particularly restaurants, bars, saunas, and gyms. But all of that, couple with the global economy is bound to affect me at some point. Whether I’ll still have a job next month or if my contract will be renewed at the end of the year worries me.
And even though there are good signs in the country, the constant flood of distressing news from abroad is stressful. I love Twitter, but right now, most everything on Twitter is about how Americans and Europeans are totally dropping the ball in responding to this pandemic. This is really the worst time to elect a failed casino owner as the leader of the free world. I wish I could insulate myself and just ignore all of the news out there. But when I look at some of my art friends who are oblivious to what’s happening, just going about their merry way, I get frustrated as well.
And speaking of art (this is still an art Web site), I haven’t stopped making art. However, I stopped looking for art shows to apply to. I imagine galleries are suffering at the moment. Who wants to attend an art opening right now? Same goes for theater productions. Luckily, there’s plenty of opportunity to get my work seen online.
I’m not a fan of NPR’s Fresh Air. I think I only heard the show’s host Terry Gross once. As a recap of what was a trending story, Adam Driver was being interviewed on the show. The show’s host and producers knew that Adam Driver didn’t like watching his own performances. He stated this on an earlier interview back in 2015 and expressed it in several instances, suggesting it left him unsatisfied, overly critical, or anxious. But despite all of this, Fresh Air decided to play his most recent performance in “Marriage Story” singing, and Driver walked out of the Interview. The story is now making the rounds with a rather displeased picture of Driver accompanying most articles. Come are spinning it as Driver being a demanding method actor type and that he was wrong to walk out of the interview so abruptly.
Psychiatrists are applauding Driver for standing up for his own boundaries and walking out of a situation that he knew was going to give him trouble later on. Normally, I’m not a fan of interviewees walking out of interviews when faced with hard questions but Terry Gross wasn’t really pressing him about anything controversial. They were simply ignoring his request not to be subjected to something which will trigger future anxiety. It benefits no one and they could’ve easily played the clip in question through future edits. He drew a line and they crossed it. He had every right to walk away.
This reminds me of an interview with Billy Bob Thornton as a member of his band, the Boxmasters. The host of the show, the disgraced Jian Ghomeshi, referenced his work as a screenwriter and an actor. Thornton wasn’t pleased with this since they agreed beforehand that his work as an actor wouldn’t be mentioned in the interview since it diminishes what he’s trying to do as a musician. I believe it also sidelines everyone else in the band. This led to Thornton answering nonsensically to Ghomeshi’s questions before scolding him. Now it might seem silly not to mention Billy Bob Thornton’s career in the silver screen, but that just happened to be the line he preferred not to be crossed, and not crossing it wouldn’t do much harm. It’s not like journalistic ethics were being violated if Thornton wasn’t introduced as an actor, much less if Adam Driver wasn’t subjected to watching his own performances.
Now compare both instances to R. Kelly being interviewed and asked about the cases against him. He might have started the interview asking that questions about the case not be asked, but the only reason one would have R. Kelly on an interview would be about those allegations. One would be interested hearing his spin on the allegations or his newest album. Not asking about the allegations would be journalistic malpractice. Just look at any softball interview with Ivanka Trump. She’s often being sold a proponent of business and feminism, but she’s never confronted about the almost blatant hypocrisy of her and her family’s actual actions (and inaction). I believe in most of her adult life, she has never been interviewed by a real journalist.
But back to Driver and him walking away from a situation. The man is an adult. He is an adult who knows what pushes his buttons and what is good for him. If it’s going to give him anxiety or make him lose sleep to subject himself to his own performances, let him walk away. It hurts nobody not to make him watch it. What the host and the producers of Fresh Air did is totally ignore Driver’s boundaries either due to carelessness or worse, to manufacture controversy for clicks. There are better shows on NPR. Go listen to them instead. And be more like Driver, if you can, walk away from stuff that would bother you later on. It’s not so much as being a snowflake. It’s taking care of yourself. Walk away from a bad situation or just avoid it completely. For instance with me, I now avoid drinking heavily. It’s not because I have a problem with alcohol, I just have a problem dealing with drunk people. So I either just stop drinking early or just avoid the situation completely. This can often be difficult in a country like South Korea where people are often helpless against intense societal pressure to drink, but for me, it’s better than stressing over and repeatedly replaying memories in my head the awkward interactions I have with drunk people.