The Permanent Resident

I was on a path to getting my permanent resident visa here in South Korea. For a while now, I’ve been living in the country under a marriage visa. This visa has to be renewed every two to three years. This makes sense to me because it prevents people from scamming Koreans into marriage, then getting a divorce and after settling in the country. Unfortunately, it also gives the visa sponsor a lot of power since their spouse is literally in the country based on their whim. Fortunately, I’m not in that situation, but I still figure that I’ve been living in the country long enough that I should try for a permanent resident visa.

A couple of differences before I move on. A lot of teachers and professors here are on a working visa, an E2 visa. This is for foreigners to teach in Korea for a year. I used to be in the country under an E7 visa. This is for foreigners working in other white collar jobs. Both types of visas are working visas sponsored by the employers and only allows the visa holder to work for the employer and no one else. No side gigs, no personal businesses, etc. A marriage visa is F6. This allows a person to work for any employer and any side gig or business. This gives the visa holder more freedom, but the person is naturally tied to their spouse for sponsorship. An F2 visa gives the same amount of freedom in terms of employment to the visa holder. However, the visa holder must show proof of employment as well as salary, thus tying themselves to a financial state that they must maintain when they apply or when they renew their visa.

An F2 visa is awarded on a point system. Points are awarded based on age, salary, special recommendations, Korean language skills, etc. If you accumulated over 80 points, then you qualify for a visa. I’ve been stressing out for the past couple of weeks over my Korean and passing the TOPIK test, the Korean language test, in order to get more points. However, it is notoriously difficult and even if I do get a good score, it will only award me a few points. The category most people can get points on seem to be age and salary. The younger you are and the more money you earn, the more points you get, which is frankly counter-intuitive. There are not many rich young people applying for permanent residence. And by the time one is older and earns more money, they’ve already lost a ton of points due to their age.

But then I discovered that my school, the University of Manitoba, qualifies as an Excellent school, giving me an extra fifteen points. This qualifies me for an F2 visa even without taking any language test. Perfect! I started getting my ducks in a row, sorting out my diplomas, my financial records, employment contracts, etc.

Then boom, just as fast as my hopes were raised, my hopes were once again dashed. I simply do not qualify for a permanent resident visa. Apparently, people in the country under a marriage visa cannot apply for an F2 visa. I will need an E7 visa. I had an E7 visa before, but that was during my bachelor days. An exception can be made and F6 visas can be changed to F2 visas if the applicant was working in a competitive hi-tech field like nanotechnology or something. Not me. No, not me.

It just wasn’t meant to be.

My wife suggested that maybe I’m looking at the wrong thing. Why can’t I be like other foreign celebrities on television who have different visas and can vote and everything. First off, with voting, it sounds like they’ve been awarded citizenship, which I really have no interest in applying for. But I decided to look anyway.

F5 is a permanent resident visa awarded to people who have made considerable investments in the country, employ Koreans, and has mastered the Korean language to heights I could only dream of. A lot of the qualifiers also include recommendations by government agencies. This is a no go.

So that’s my adventures in trying to get a permanent resident visa. If you’re an English teacher or an office worker reading this. If you’re on an E2 or an E7 visa, as long as you’re young enough or earn enough money, you could very well qualify for an F2 visa. And don’t underestimate your school even if you didn’t graduate from an ivy league institution. Your school could still be Excellent and award you with additional points.

The Art Teacher

I’ve been teaching someone how to draw recently. It’s good to get back to my art school days and recall some of the things I learned. Shout out to Ms. Bachewich, my high school teacher who encouraged me to art school but thought that another student was much more exciting and more talented than me. And to Diane Thorneycroft, my first drawing teacher in university, a renowned artist herself. What a positive influence in my art life!

The good thing about the whole thing is that it got me back to doing the basics. For the longest time, I’ve been doing stylized small drawings. Then more recently, I’ve been doing mostly crazy busy drawings. I’m teaching someone more basic techniques of drawing as well as looking at things. God-willing, he will be drawing more like Robert Crumb in a few months.

Oddly enough, I find myself speaking differently when I’m teaching art. I sound gentler than usual and I’m speaking about “happy accidents.” Give me a few days, and perhaps I’ll stop shaving my head and start growing a beard.

Well, if I can evangelize a bit. I want more people to draw. Do what I do. Draw to keep your idle hands busy. Draw to not think of whatever is bothering you. Draw while you’re listening to a podcast or whatever. That way, you produce something beautiful while basically just chilling. Draw in order to meditate and get yourself some inner peace. There’s a science to art therapy as well as mixing meditation and art, but all I’m saying is that just the act of drawing is creating your own reality. It’s exercising control in a world that becoming less and less out of our control. It is both peaceful, empowering, and relaxing.

What Do You Want?

How do you make a QR code attractive? How do you make a random sticker QR code out in the wild attractive to strangers? Well, apart from having some T&A, I’d like to think that some art would be enough of an incentive for the curious. I had half a mind to design something that centers more on T&A, but I don’t want people thinking that’s what my art is mostly about. People would be greatly disappointed if they come to my website or my Instagram hoping to see sexy images. The last explicitly “sexy” image I created was over two years ago, and half of the woman’s body was covered in a gorilla suit.

This isn’t the place for sexiness.

Anyway, I think my failure to be popular as an artist not only stems from my lack of talent and my inherent unwillingness (or boredom/lack of interest) in doing what sells, but also in my inability to market myself properly. QR codes in random places isn’t going to attract art buyers. That’s like shooting at a flying target while blindfolded. In any case, this isn’t really some serious attempt at marketing. This is just me creating an artistic problem for myself and trying to solve it.

Actually, I’m surprised at how resilient QR codes are. They are still a thing. The pandemic kinda made them even more ubiquitous here in Korea, but I’m sure they’re now seen more in public in other countries compared to a few years ago. Of course it’s never good to scan random QR codes in public as they might be phishing scams or might contain malware, but that’s why I made the image more artsy. Joseph Reyes is an artist. He’s not going to trick you with malware or whatever. If he wanted to do that, he would’ve had T&A on the image instead of someone resembling the Virgin Mother.

Well, if you happen to find my site via QR code, welcome! I hope you enjoy the art. Don’t worry, your phone didn’t download anything malicious.

…

I was asked what I want my audience to take away from my art. “Name three things that your audience will take away from looking at your art?”

Humor, satisfaction, and beauty.

First off, due to my need to amuse myself, there is inherent humor in many of small images. “Why is there a karaoke microphone pointed at the Virgin?,” “Why is the imp smoking a pipe?,” “Did I just see that?” It might not seem like funny pictures at first, but I want people to be amused with some of the images I included, even though some of the jokes are vague or are just meant to amuse me primarily. I am a big follower of Dada, and a big aspect of Dada is humor and joy when seemingly strange and unrelated elements collide in art.

Not to brag but I also think that sometimes my opinions are a bit unorthodox. My depiction of Gulliver’s Travels as a horror story is something that is not often considered, but if you think about it, waking up in a beach and being surrounded by tiny men sounds like a night mare. Another is the story of Sodom and Gomorrah and referencing it simply as a “moving day.” It’s a tad dark, but I find the idea amusing.

Second, is satisfaction. I want my audience to be satisfied in finding small details. I want them to see small images and know that they’re one of the few that noticed it. It’s almost voyeuristic in nature, having secret knowledge and getting a joke that is not meant for everybody. This is why I highlight small details of my work in Instagram. Take the image above for example. Do you see the phone looking at Instagram? Now, how many people would see that? And the reason why I included it? How many times have you prayed to your Instagram god today?

I often include interesting details in my images. So they’re discovery hopefully brings joy to my viewers.

Third is beauty. I want my works to be beautiful Just like any art, I want them to be aesthetically pleasing, something that people would want on their wall, or at least something that people would be inclined to look at. A friend of mine suggested I make “I Spy” books, which basically these images are, except that they’re more for adults and that hopefully the images work as a whole and not just a hodgepodge cacophony of small images and words.

As for me, what do I get out of my works?

Hard work, time, and humor.

I want my images to exude a feeling of hard work and time. I want my viewers to wonder how long it takes for me to produce one image. I have a chip on my shoulder regarding small works versus large works. People often overly focus on selling large works to fill space, ignoring the fact that small works can take just as much effort to produce as large canvass paintings. The image above for example took 15-20 hours to do. It sure doesn’t look like it to a layman, and it’s something that art sellers don’t really care for. They just want to fill space, ignoring both hard work and time.

And humor, there must always be humor. I’m an incredibly depressed person. Not only does drawing keep my hands busy, it also keeps me from dwelling too much into my negative thoughts. An amusing image now and then helps lighten my mood.

On NFTs (now)

Apparently NFTs are still a thing and there is still much about them that I don’t know about. I’ve written negatively about them before, but a friend of mine who works in fintech has been educating me a lot about them. Now, of course I’m still very wary with investing in anything, and I’m really in no position to buy any bored primates, but I’m now more open-minded about them. A few things about them however.

1. They could be one of the only ways to truly sell and monetize digital art. Digital art is still art, and it is a bit unfair that they haven’t been able to be part of the art market until NFTs came around. This is similar to my complaint about anatomical/scientific illustrations. Why are they not seen nor exhibited as high art? There should be room for them in galleries, the same way there is room for most kinds of art. The only difference with anatomical/scientific illustrations and digital art is that the former can be monetized while the latter hasn’t been able to until NFTs came around.

2. The NFT market, much like the cryptocurrency market will always be in a state of ups and downs. I prematurely predicted the demise of the NFT market months ago and yet they are still here. Many NFTs have lowered in value since then, but many are still worth the initial investment. And me, I’m sitting here eating crow.

3. Many if not most NFTs are bad art. The percentage of bad art among NFTs compared to just plain digital art is considerably higher; I’d say 98% of NFTs are bad art. And it naturally will be that way for two reasons. One is that most of the NFT buyers are in it for the investment. They are not in it for the art. The second reason is that much like the Bored Ape Yacht Club, lots of NFTs are a set of similar images with a randomized set of traits that are digitally generated. Make 10,000 similar drawings, randomize their features, have people bid on them or set prices on them based on the rarity of the features an image has.

4. I don’t think many artists are making digital art and turning them into NFTs on a 1:1 ratio. I think that’s a rarity. The story of NFTs helping unknown artists in developing countries finally make a living off their art is a fairy tale that is only true for the smallest percentage of the market.

5. Most NFTs will not increase in value. There’s simply too many of them, and the initial prices of NFTs that made the news last year were so high that there’s nowhere else to go but down. Just check out what happened to the NFT of Jack Dorsey’s first tweet. It was sold for $48 million, and on the most recent auction, it barely got $300 in bids.

6. Celebrities who promote NFTs or who show off their purchases are in it for themselves. They are actively trying to increase the value of their NFTs before selling them. Did anyone really believe Jimmy Fallon and Paris Hilton when they mused about the uniqueness and artistry of their bored apes on the ‘Tonight Show?’

7. As incredulous as I am about the metaverse, NFTs will be an integral part of it. Basically, anything that is traded over the Internet for monetary value that has a limited amount functions as an NFT. The only difference is the blockchain element. If the metaverse does become all-encompassing as Mark Zuckerberg wants it to be, then we have no choice but to be involved in things like NFTs.

8. I am still skeptical of the element of the artist earning a percentage each time their artwork changes hands. This was one of the initial selling points of NFTs and I didn’t really see a point in it. Why would they get a royalty for items that they already sold? If I sold a painting, I don’t care if it increases in value when it gets resold years later. Good for the buyer. Good for me too because it means I’m talented enough to command such prices. But getting a percentage of the sale? Why? And when does that stop? Until I’m dead?

9. I am still dismayed at the cost of minting NFTs, both monetarily and environmentally. Apparently, the technology is getting better and the process will become greener, but who knows when that would be reality and whether that would also affect the price of minting NFTs.

10. Will I be making NFTs in the future? Who knows? I dismissed them prematurely last year, and now I’m no longer sure. I will need to talk to more people about them. I still need a lot of education.

11. I believe there are two camps when it comes to looking at NFTs. One camp are old school artists and the other are artists willing to try out new things online. During the beginning of the pandemic, I was trying to sell an idea to a friend of mine who owns an art gallery. It was a virtual art gallery that people could navigate in 3D online. She dismissed the idea as too fanciful and would require too much effort on her part. I tried to volunteer my services but she shut me down. Two years in, many galleries and artists are doing shows online one way or another, including virtual 3D galleries. Boy, did I feel vindicated.

I don’t want to be in the old school camp with my friend. I’d like to be more open-minded.